The Cabin: A film heavy on atmosphere but thin on plot

The Cabin is a moody suspense film with surprisingly bold artistic choices that gets bogged down by weak dialogue, one-dimensional characters, and a thin plot.

Lush evergreens line miles of sparse highway as a couple drive to a family cabin. Said cabin is nestled deep in the woods, as demonstrated by several overhead shots of serpentine roads winding through fields of trees. The place they’re headed is the sort of place hidden from civilization, one hundred miles away from the nearest motel.

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The Clovehitch Killer gives us Dylan McDermott’s creepiest performance yet

The Clovehitch Killer forgoes hardened detectives for a pair of sleuthing teens in this quiet and surprisingly introspective thriller.

The Clovehitch Killer is yet another look at the decaying heart of suburbia and the often seedy underbelly of even the most ordinary looking neighborhoods. Middle America, the Bible belt, blue-collar working class citizens, have all been at the heart of many a headline in our current political climate.

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Movie Review: Primal Fear (1996)

  • Director: Gregory Hoblit
  • Starring: Richard Gere, Edward Norton, Laura Linney, John Mahoney, Alfre Woodard, and Frances McDormand
  • Genres: Crime, Drama, Mystery, Thriller
  • Star Rating: ★★★★☆

So I’ve begun the journey of watching Laura Linney’s filmography since she’s one of those actresses that I’ve always enjoyed and inspired to emulate in my own acting journey and I finally got around to watching Primal Fear.

I realize the film is a popular one, garnering numerous awards, most notoriously for Edward Norton who got a supporting actor nomination for his first ever feature film role. But for some reason or other, I had never really heard about it or knew what it was about.

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